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Thomas Albrecht, “Sauve qui peut (l’image): Reading for a Double Life,” Cinema Journal 30:2, Winter 1991.
(pdf)

Raymond Bellour, “I am an Image,” Camera Obscura 8/9/10, Fall 1982.
(pdf)

Alain Bergala and Leos Carax, “Sauve Qui Peut (La Vie): Une Journée de Tournage,” Cahiers du Cinéma 306 December 1979.   (French)
(pdf)

Janet Bergstrom, “Violence and Enunciation,” Camera Obscura 8/9/10, Fall 1982.
(pdf)

Harmut Bitomsky, “Desperation Spawns Courage,” Filmkritik V. 25.9, 1981.  (German)
(pdf)

Catherine Grant, "Home Movies: The Curious Cinematic Collaboration of Anne-Marie Mieville and Jean-Luc Godard," in Forever Gordard, ed. Temple, Williams and Witt, Black Dog Publishing, 2004.
(link)

Peter Harcourt, “Le Nouveau Godard: An Exploration of Sauve Qui Peut (La Vie),” Film Quarterly V. 35.2 (Winter 1981/2).
(pdf)

Elizabeth Lyon, “La Passion, c’est pas ca,” Camera Obscura 8/9/10, Fall 1982.
(pdf)

James Roy MacBean, "An Open Letter to Godard," Jump Cut 31, March 1986.
(link)

Colin MacCabe, “Slow Motion,” Screen 21.3, 1981.
(pdf)

Richard Morris, "To Realise the Ideal: Miscellaneous Remarks on Godard's Conceptual Processes Apropos of Sauve Qui Peut (La Vie)," Film Studies 5, Winter 2004.
(pdf)

Contance Penley, “Pornography Eroticism,” Camera Obscura 8/9/10, Fall 1982.
(pdf)

Robert Stam, “Jean-Luc Godard’s Sauve Qui Peut (La Vie),” Millennium Film Journal, Fall 1981/2, 10/11.
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Hanns Zischler, “Godard’s Sauve Qui Peut (La Vie) – Report on the Director’s Press Conference, Zurich, Jan 19, 1981,” Filmkritik V.25.9, 1981. (German)
(pdf)